Leeds studio OurCreative. has designed the brand identity, packaging and bespoke illustrations for Asquith 1965, a ...

Pearlfisher’s Natalie Prout examines how Apple Music turned sound into a tangible mark - and why the strongest identities are ...

Macaulay Sinclair draws on Bombay’s 1953 Crawford Market and Victorian trading hall history to design Dishoom’s eighth London ...

Milkshake was established in 2019 to offer musicians an alternative approach to traditional recording contracts, operating simultaneously as a record label and an artist management firm. Based in ...

The UK design economy contributed £136.7bn in gross value added (GVA) in 2023, overtaking the retail sector in its economic footprint, according to new research from the Design Council. Published ...

During London Design Festival 2026 the Atterbury Flat at the Chelsea College of Arts is switching from visitor accommodation for the university to being an exhibition space for student creations ...

Amstel has introduced an updated global visual identity featuring bespoke bridge-inspired typography, a modernised crest, and ...

Graphic designer and illustrator Bilun Bilman breaks down worldbuilding for Digger and the hidden realities of working in the ...

Design awards have developed a bit of a problem. Somewhere along the way, celebrating great design turned into an exercise in ...

Mark Nichols, Creative Director of branding agency WMH&I, argues we should stop designing brands for machines – and always design them for people.

Permanence builds equity; tempo builds relevance. Creative director Blair Cooper explores how modern brand worlds can balance ...

Welcome to The Outline, Design Week’s weekly roundup of the stories you might have missed. This week, Springetts turns 50 ...