Everyone loves a good Halloween-themed horror, but what about horror films set mainly in summer, in broad daylight or crowded situations?

One of the reasons I loved animation was the ability to tell stories. The other was the constant reward of learning something ...

Shooting slow-motion cinematography is a very rewarding experience. When you see the smiles on peoples faces as they see ...

If you already post on YouTube, put a 30-second cut out as a Short or a teaser before the full trailer, then open its ...

Most indie post-production schedules are built around work: assembly, rough cut, fine cut, picture lock, sound, colour, ...

Film school can be a great experience. But whether you go or not, eventually you have to pick up a camera and make something.

Fifteen films make the 2026 longlist, from a Sundance-winning protest documentary to a Victorian found-footage horror shot in a circular frame Raindance today announces the fifteen-film longlist for ...

I’ve met filmmakers with a first feature script they can’t afford to shoot. Contained horror is simply, a bright first ...

AI filmmaking has moved from experimental to standard practice in under two years. AI-generated footage has appeared in major commercial campaigns and screened at real festivals, and productions with ...

With FrightFest annual horror feast nearly on us, Nina Romain looks at the onscreen cases of technology running riot – and why we run to watch them. Technology getting the upper hand over humans has ...

Not long ago, distribution was the finish line. How film distribution has changed. You wrote the screenplay, raised the money, made the film, premiered it at a festival and hoped a distributor would ...

They are about caffeine, social anxiety, tote bags, existential collapse, and people pretending they “absolutely loved the pacing.” After thirty-plus years of standing in festival foyers, here are the ...