A mother and daughter in Montreal make an overdue trip to Italy to reconnect with their roots and immerse themselves in their ...

Mike Feehan and Jamie Miller chart the eccentric history of Geoff Stiring and his creation of Newfoundland Television.

Does the hype for You Can See Everything make it an Oscar contender for categories like Best Picture? No documentary has ever ...

A documentary fimmaker explores labour strife but struggles to reckon with her own social privilege in Lee Chang-dong's ...

Alejandro Vilbuena's documentary observes three members of Colombia's Wayuu community as they defend their land against ...

Titles in RIDM's Canadian competition include Itilli Gathering, Nowhere Everywhere, My Name Is Tom, and Concrete Turned to Sand.

How films like Nuisance Bear, Angry Inuk, Time and Water, Tuktuit: Caribou, and Nechako: It Will Be a Big River Again capture the environmental and social complexity of the North.

Does the hype for You Can See Everything make it an Oscar contender for categories like Best Picture? No documentary has ever cracked the top category.

In Tautuktavuk (What We See), Carol Kunnuk and Lucy Tulugarjuk create a unique auto-fiction hybrid about Inuit sisters divided by lockdown.

In You Can See Everything Nathan Fielder and Lance Oppenheim capture the elusive mystery of Elizabeth Holmes in a portrait that proves the truth isn't nearly as interesting as a lie. Canada's ...

“We’re in a shitload of trouble,” observes Musk director Alex Gibney. The Oscar winner’s epic documentary delivers a comprehensive distillation of everything evil and troublesome about its subject.

It’s always tricky when one’s ability to believe a situation hinges upon the credibility of the New York Times. The once-esteemed publication plays a pivotal role in You Can See Everything.