As Age is Harm ‘s most accomplished project to date, spanning from the eerie indie folk of early Of Monsters and Men to some pretty violent mathcore passages – and between these two extremes there’s ...

“We will march on through the everlasting winter.” ...

Some may bemoan an album about a post-apocalyptic world overrun by nature not feeling wild enough, but Wolves succeeds in ...

A concept album about the devil sending a man or machine down to Earth to destroy all of mankind is a feral, bold way to ...

Damnation 2026 is just around the corner, the final festival of the year within our UK remit, and what a huge one to send it off. As usual for our Ones to Watch pieces, we are all about picking up on ...

Few seem willing to stray from this increasingly tired formula, but Entheos have managed to distinguish themselves by embracing a particularly technical brand of progressive death metal that has ...

Closer “SURVIVOR’S GUILT”, the longest track by a full two minutes, feels like the culmination of So Far So Good ‘s sonic journey to date, in that it feels like they’ve thrown the preceding three ...

“Weeping to the World” feels like a natural continuation of “Be Not Dismayed,” carrying many of the same elements in a recognisably familiar framework, albeit transposed into a different key. It’s ...

“Each time we battle, the blood and the fury takes us a little higher.“ Eihwaz — ᛇ. Eihwaz symbolizes the balancing of processes and the restoration of internal balance. Every person has positive and ...

“Still here, count the years, fuck a tombstone.” It’s been four years since Motionless in White released their previous record, Scoring the End of the World, the longest break in between album ...