This week we'll hear three violin concertos from three different centuries. Geneva Lewis solos on Mozart's third concerto, Jennifer Koh takes on Missy Mazzoli's modern concerto and Augustin Hadelich ...
It was a great weekend for Shostakovich and Prokofiev concertos at the Aspen Music Festival, with a fine smattering of other concerto-like pieces to liven up the proceedings. Augustin Hadelich never ...
We have been writing about classical music for our dedicated and knowledgeable readers since 1923 and we would love you to join them. Subscribing to Gramophone is easy, you can choose how you want to ...
Heinrich Wilhelm Ernst’s one-movement concerto, premiered by him in 1846, is his most ambitious work. Virtuosos ignore it today in the belief that its immense difficulties outweigh its aesthetic value ...
Are we in a golden age of violinists? It looks like it. That astonishing young players keep coming up the ranks and capturing the public’s imagination is nothing new. But what really seems to mark our ...
J.S. Bach may have been light on concertos, but when he did compose them he made sure they were special. Here's where to start with his violin concertos. Concertos don't take up a huge amount of room ...
Playing Mozart's music on Mozart's own violin is like reaching through 250 years of history to commune with the legendary composer, says Christoph Koncz. Koncz, the principal second violinist of the ...
Throughout the week Classic FM’s presenters bring you the best new recordings, including world exclusives and premiere broadcasts of latest releases. Nikolaj Znaider performs at the highest level as ...
Simply sign up to the Life & Arts myFT Digest -- delivered directly to your inbox. The 1930s saw a sudden flourishing of concertos for violin. In this selection, the first of a planned series, Shaham ...
Augustin Hadelich's latest album of violin concertos offers two unlikely bedfellows. The tuneful, romantic classic by Johannes Brahms bumps up against the modernist mayhem of György Ligeti. The album, ...
Internationally acclaimed for her emotionally charged performances, technical command and interpretive depth, Karina Canellakis returns to the Meyerson stage to bring us Dvořák’s orchestral poem, The ...
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