At its most recent meeting, the DGA National Board voted to name Director Jon Avnet as Chair and Director Karen Gaviola as ...

Federal and state tax incentives for film and television production are essential to remaining competitive in an increasingly global production market. The DGA has been actively working at all levels ...

Television Directors play a vital role in casting, providing input to ensure the process aligns with their creative vision and the tone of their episode. However, the casting process has evolved over ...

Riggen describes the severe conditions of the shoot and how they brought the crew closer to understanding the dangerous circumstances of the Chilean miners.

Director Anthony Hemingway discusses the "circle" principle he uses to balance his own style with the particular needs of an episode of a show.

Director David Fincher discusses his penchant for numerous takes on Mank (and other works) and why he likes to inundate actors with notes during the process.

Linklater describes how he shot a period film but in real time and incorporated real events into the lives of his characters.

Director Mira Nair talks about the resurgent interest in her film Mississppi Masala (1991) and how she went about obtaining the rights of the film using a “quitclaim deed.” ...

Director Todd Holland speaks about what he’s learned from assistant editors and how he applies that knowledge of the process to future projects.

FULL VIDEO: (1:07:55): In a dialogue moderated by Director Stan Lathan (Martin: The Reunion), Stage Managers Arthur Lewis and Valdez Flagg spoke about their careers and longtime Guild service that ...

Bertram van Munster expresses gratitude for his DGA nomination for The Amazing Race “It’s Just a Million Dollars, No Pressure” and mentions the many people who made it possible.