As Age is Harm ‘s most accomplished project to date, spanning from the eerie indie folk of early Of Monsters and Men to some pretty violent mathcore passages – and between these two extremes there’s ...

Damnation 2026 is just around the corner, the final festival of the year within our UK remit, and what a huge one to send it off. As usual for our Ones to Watch pieces, we are all about picking up on ...

“We will march on through the everlasting winter.” ...

A concept album about the devil sending a man or machine down to Earth to destroy all of mankind is a feral, bold way to ...

Few seem willing to stray from this increasingly tired formula, but Entheos have managed to distinguish themselves by embracing a particularly technical brand of progressive death metal that has ...

Some may bemoan an album about a post-apocalyptic world overrun by nature not feeling wild enough, but Wolves succeeds in ...

Jonathan Hultén’s set was a masterclass in the symbiotic relationship between visual aesthetics and soundscapes. His wardrobe and set design came across as intricately crafted as his setlist, and the ...

“You’re sold a dream for the price of a nightmare.” These qualities extend to the album’s title track, utilizing imagery of natural disaster to talk of an impending danger. There is an aggressive edge ...

Closer “SURVIVOR’S GUILT”, the longest track by a full two minutes, feels like the culmination of So Far So Good ‘s sonic journey to date, in that it feels like they’ve thrown the preceding three ...

For years now, No Play Fest has been a stalwart in the UK DIY festival circuit, boasting a plethora of heavy hitters and up-and-coming talent from across the globe. This year, looking to double down ...