It’s easy to take Sheryl Crow for granted. Her string of hits provided the easy-listening soundtrack of the 1990s and 2000s, ...

Calling Antonín from James Brandon Lewis' Red Lily band is another rollicking but meaningful statement from one of the most ...

Indianapolis indie poppers Wishy take their sound to a new level of craftsmanship and catchiness with Nature's Pill. It's one ...

On his fourth album, She's the Best, Troye Sivan's elusive search for connection finds him languishing in the party's ...

Haunting and exotic, Visions of Nar's second record, Awakening, takes us on a tone-colour trek across cultures. It's a ...

At Comerica Park, Detroit's original punk provocateur Iggy Pop turned a supporting slot into a confrontation between rock's ...

Where Blodtår differentiate themselves, especially on their new record, is in how they open up melodic Swedish black metal ...

On Through to Us, Matthew O'Neill names his more-than-human contributors by species, and crafts an album whose purpose is to ...

Poh Si Teng’s American Doctor works as emotionally charged hard news about trauma doctors in Gaza, but not as an analysis of ...

V.V. Lightbody's new LP sports shimmering guitars, warm production, gentle, infectious rhythms, and bits of flutes, synths, ...

Where the folk-pop of Flora Hibberd's Swirl exudes sophistication, the synth-driven Mammoth is expansive and fantastical. You ...

If you want a documentary that is more entertaining than educational, John Wilson’s The History of Concrete is a legit good ...