Debut feature director Kewa Oni's 'The Odds' is a vigorous caper set in West Africa's most populous city, featuring a winning ...

Angolan writer-director Denis Miala concocts an entertaining comic feature that mildly rebukes the concept of the indigent ...

Adding nine official awards and ten Partnership awards to the 14 Dok Industry awards presented earlier at the festival, DOK ...

In “Desert of Namibia”, leading character Kana frequently appears on screen wearing a T-shirt with the word for “shaman” on it. Intentional or otherwise, it’s a pitch-perfect description of the ...

Set in 1982 — probably not coincidentally the year of E.T. the Extraterrestrial’s release — David Robert Mitchell’s The End of Oak Street is stuffed with Spielberg-isms, from suburban kids on bikes to ...

Indian independent cinema now has its own Brokeback Mountain. To describe Cactus Pears as such might be a bit reductive, but there’s more to this comparison than the fact that this film also revolves ...

Who says a cop story can’t be politically relevant? Dominik Moll’s suspenseful and distressing Case 137 takes all that is good about police procedurals – their bureaucratic precision in collecting ...

Acclaimed Czech documentarian Helena Trestikova spoke in a DOK Leipzig masterclass about the complexities of decades-long ...

A team of digital nomads dream of creating a shared paradise in an abandoned Bulgarian hotel in 'Hotel Utopia', an engaging, ...

Drawing on 30 years of footage, fimmaker Helena Treštíková assembles an intimate, darkly funny portrait of Czech rock star ...

Asmahan Bekerat’s intimate portrait of an Afro-Palestinian Bedouin family explores how displacement and racism shape three ...

Lukas Marxt’s mesmeric, surreal documentation of the LA wildfires rejects dialogue and analysis for an immersive, visceral ...