An unusually charming theatrical variation on an eternal theme, I Became We is a curiously beguiling work from writer Mona Pirnot in collaboration with composer Jack D. Coen. Their new and often ...
Expect to feel warm and fuzzy at the new musical imported from London by the Public Theater. Not so much adapted from than inspired by the 1922 F. Scott Fitzgerald story of the same name, The Curious ...
Feminists especially will be intrigued by the repressive society that is lightly reflected in Phyl, Cicely Hamilton’s 1913 social comedy about a middle-class British woman’s few options in life other ...
★★★★☆ The comedian's alternately hilarious and moving one-person show revolves around the loss of his house in the Palisades Fire. Billy Crystal in 860. Photo credit: Avery Brunkus In 2025, Billy ...
Joining them for the holidays are Polly’s sharp-tongued, alcoholic sister Silda (Janney), fresh out of rehab; apolitical son Trip (Keery, who made a splash on Netflix’s Stranger Things ), the creator ...
★★★★★ Crystal is at his comedic best proving a lifetime of memories are fireproof. Billy Crystal in 860. Photo: Avery Brunkus Billy Crystal’s new one-man show, 860, is a love story. The 78 year old ...
Fortunately for Angelique, her sweetheart Cleante (Daniel Croix Henderson), and especially for Argan, there is Toinette (Rachel Bloom), the smart, saucy servant found in many a Moliere comedy, who ...
Any attempt to explain in too much detail the hazy, crazy storyline of King of the Yees likely will result in confusion. Suffice to report Lauren Yee’s “only kind of true” autobiographical comedy ...
If you’re going to a Jon Robin Baitz play, prepare to go into battle (so to speak). From The Substance of Fire and A Fair Country to the current revival of Other Desert Cities at the Hudson Theatre, ...
Is it a renewed trend? Will it pass? For the second time in three days—Copperfield! previously—a musical opens during which the cast not only acts and sings but plays all the instruments as the ...
With Memoirs of Amorous Gentlemen, director Ashford once again knows what he’s doing. In his clever hands, he keeps the action cracking along. Colette struggles effortfully to earn Sakae’s money so’s ...
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