The fiercest dance action in Donald Byrd’s “Prodigal” comes, surprisingly, not from the protagonists but from the five-man “congregation” observing and responding to them. This nattily dressed chorus ...
When Pacific Northwest Ballet soloist Benjamin Griffiths takes the stage in George Balanchine’s “The Prodigal Son” next week, he’ll be the latest link in a distinguished ballet chain. PNB artistic ...
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